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Showing posts with the label financing

PRODUCTION JOURNAL: Monday Morning Mixer - 1.6.2014 (The-New-Journey edition)

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HBD John Singleton (director of Boyz in the Hood, Poetic Justice, etc.) and Anthony Minghella (director of The English Patient, Cold Mountain, etc.) [d.] and RIP Victor Fleming (director of The Wizard of Oz, Gone With the Wind, etc.) who died this day in 1949. WRITING: Is it possible to be a screenwriter and have a family ? (the bad news and the good news) PRODUCING:  What is your filmmaking game plan for 2014 ? FINANCING: What are investors considering when they fund films?   DIRECTING: Everyone knows that having famous actors in your movie will help it get financed and screened. So once you have them committed and casted, how do you direct famous actors in a microbudget film ? LIGHTING: Here's an homage to all the things grips and electrics have to do to light and shoot without the gear they actually need... shitty rigs . SHOOTING: How can you use camera angles to sell your scene ? SOUND: A tutorial on the importance of the pre-production process for your sou

PRODUCTION JOURNAL: Monday Morning Mixer - 12.23.13 (HBD Transistor Edition)

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Amplifier circuit, common-emitter configuration with a voltage-divider bias circuit. HBD to the transistor , the fundamental building block of modern electronic devices , found in everything from TVs, mobile phones, radios, calculators and computers.  That you can read this post is a function of the transistor's capabilities, so thank you John Bardeen , Walter Brattain , and William Shockley for developing it at Bell Labs in 1947.  Thanks to the transistor we can watch movies on screens as large as walls and as small as belt buckles. WRITING: What are the elements of a good scene ? LEGAL: How much does an entertainment lawyer cost ? PRODUCING: Do women prefer films made by female filmmakers ? FINANCING: How do you finance a movie using VOD sales projections ? DIRECTING: How do you turn your boring movie into a Hitchcock thriller ? (h/t to Jeffrey Michael Bays and makes a great last-minute gift) SHOOTING: How do you add diffusion to your image by 'netting

PRODUCTION JOURNAL: Happy Birthday, John Cassavetes - 12.9.13

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Today John Cassavetes would have been 84.  Aside from watching all of his films in an all-day or week-long marathon, there is no better way to pay homage to the godfather of American indie films then by learning from his words and his methods.  Below are excerpts and documentaries on the making of many of his films like Husbands, A Woman Under the Influence, Shadows and more. John Nicholas Cassavetes (in Greek: Ιωάννης Νικόλαος Κασσαβέτης; December 9, 1929 – February 3, 1989) was an American actor, film director and screenwriter. He acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). Cassevetes was also a pioneer of American independent film by writing and directing over a dozen movies, some of which he partially self-financed, and which pioneered the use of improvisation and a realistic cinéma vérité style.  He studied acting with Don Richardson , using an acting technique based on muscle memory. ~~ Wikipedia   Here a

PRODUCTION JOURNAL: Midweek Morning Mixer - 12.4.13

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Created by script reader and Reddit user profound_whatever WRITING: What are 38 reasons why your screenplay isn't getting recommended by the script reader? PRODUCING: Ok, Mr./Ms. Producer, here's a challenge: What creative work would you make with this ? FINANCING: Even if you're a no-budget filmmaker right now, one day you will have to know the ABCs of International Pre-Sales .  Why not start learning today? DIRECTING: What can lessons on editing, directing actors and choosing shots from Bruno Dumont teach you about filmmaking? SHOOTING: When should you use RAW and when should you avoid it? LIGHTING: What are 5 tips to improve your green screen shooting skills ? SOUND: What are some things to learn from a quick primer on music licensing ? STUNTS & VFX: Ever consider that maybe the best set for your movie is your living room ? (h/t to @ JasonFararooei ) EDITING: What should you know about advanced storage for your files ? MARKETING:  Why is eng

PRODUCTION JOURNAL: Monday Morning Mixer - 11.25.13 (YOUTUBE TUTORIAL EDITION)

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Today, I'd like to try something a little different... and that's use video to answer every question today.  So thank you YouTube!  I still wish I had created you, but alas... thank you for being you.  Today's theme will be NO- to MICRO- to LOW-BUDGET FILMMAKING.  P.S. Don't forget to visit the Filmmaker's Toolkit for all the forms, templates and information you need to make your films at every phase of production from Development to Distribution. WRITING: Why do most people fail at screenwriting ? PRODUCING: How do you pre-plan a no-budget movie ? FINANCING: Why do you need money to make money when it comes to making a film? DIRECTING: What are the top 5 tips for new directors or how you can become a better director? SHOOTING: How do you make a dolly track ? LIGHTING: Building a lighting kit, what are the professional film lights you should stock your kit with (at a minimum)? SOUND: How do you record high quality audio on a

PRODUCTION JOURNAL: Midweek Morning Mixer - 11.20.13 (CLOUZOT and ALTMAN EDITION)

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Today in November 20... 1907 – Henri-Georges Clouzot , the legendary French film director of films like Les Diaboliques , Wages of Fear , La Vérité and The Mystery of Picasso was born today. A stylish filmmaker known for making movies about betrayal deception and violent deaths whose negative persona and outlook on life was refelected in his work.  Nonetheless his skill made the master of suspense, Hitchcock nervous, as Senses of Cinema reveals and " although not as prolific, Clouzot’s is undoubtedly a comparable talent, and Wages Of Fear (1953) and Les Diaboliques (1955) regularly make it into lists of the greatest thrillers ever made." To get a glimpse of how Clouzot made films watch the documentary, Inferno . 2006 – Robert Altman , the legendary American film director of films like MASH , Nashville , McCabe and Mrs. Miller and Gosford Park   passed away today. A maverick filmmaker who thrived during the 1970s and preferred large casts in his movies had a

PRODUCTION JOURNAL: Monday Morning Mixer - 11.18.13 (MICKEY MOUSE & SYLVESTER STALLONE EDITION)

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Last week was an off-week for The Film Strategist so my apologies but had to focus on some important work. Now I'm back so stay tuned for some interesting upcoming posts including your Monday and Midweek mixers. On November 18, 1928 – The animated short Steamboat Willie was released.  This was the first fully synchronized sound cartoon , directed by Walt Disney and Ub Iwerks and featured the third appearances of cartoon characters Mickey Mouse and Minnie Mouse . This is also considered by the Disney corporation to be Mickey's birthday.  The short was such a success that it propelled Disney to international stardom. Now, what I want to know is when will Steamboat Willie and other works of that era finally fall in the public domain?  Because it should've happened a while ago already. But as Timothy B. Lee makes clear , "15 years ago [on October 25], President Clinton signed the Sonny Bono Copyright Term Extension Act, which retroactively extended copyright

PRODUCTION JOURNAL: Midweek MIDDAY Mixer - 11.6.13

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Oh boy... started the day later than I expected so the Midweek MORNING Mixer became the Midweek MIDDAY Mixer.  You probably didn't notice but still felt like I had to explain.  Now... on to our program...  November 6 marks the birth of 2 important directors and film visionaries who should be better known by mainstream audiences - Thomas Ince and Mike Nichols . Thomas Ince - November 6, 1886 Born into a stage family in Newport, Rhode Island, Thomas Harper Ince would grow up to be known as the “Father of the Western.” At the age of 15, Ince made his Broadway debut. But despite his theatrical blood, and performing in a number of plays and vaudeville shows, Ince could never make his acting career pay off. Instead, he turned to the new medium of film. By 1910, he was directing one-reelers. And by 1911, he’d convinced the New York Motion Picture Co. to send him to California. In Los Angeles, Ince’s ambition blossomed. He leased land close to Santa Monica, and hi

PRODUCTION JOURNAL: Monday Morning Mixer - 11.4.13

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November 4 Barack Obama became the first African-American president today in 2008. For many that was a new day of hope and, for others, the first step into hell. Well, whatever, I for one was happy.  But that's life, a heady mix of the good and the bad depending on your perspective.  And in the film & TV industry, today was both a happy one and a sad one too.   Happy for those born today, like... 1879 – Will Rogers , American actor (d. 1935) 1913 – Gig Young , American actor (d. 1978) 1918 – Art Carney , American actor (d. 2003) 1959 – Ken Kirzinger , Canadian actor and stuntman 1961 – Ralph Macchio , American actor 1961 – Jeff Probst , American television host and producer 1969 – Sean Combs , American rapper, producer, and actor 1969 – Matthew McConaughey , American actor And sad for those who died today like... 1982 – Jacques Tati , French actor and director (b. 1907) 2011 – Andy Rooney , American radio and television host (b. 1919) +++++++++++++++++++++

PRODUCTION JOURNAL: Midweek Morning Mixer - 10.30.13 (HALLOWEEN EDITION)

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[ Note: I couldn't get the Monday Morning Mixer out on time because of some issues with my mom's health that I had to attend to.  We're still working on it, and even though she's strong (God bless her), it's taking its toll. ]   Nevertheless, here's the midweek edition, Halloween style. To start with, October 30 marks the day for two morbidly tragic true Hollywood tales; the suicide of Max Linder and the murder of Ramon Navarro . October 30, 1925 The story of silent comedian Max Linder, who committed suicide this week in 1925, is a truly tragic one. Beginning his career in 1905, Frenchman Linder was the first great screen funnyman, writing, directing and starring in hundreds of shorts, in which he played the instantly recognizable Max, the dapper Frenchman with the cane, top hat and moustache. He was a huge influence on emerging stars like Charlie Chaplin, who called himself a “student” of Linder and was greatly influenced by his

PRODUCTION JOURNAL: Midweek Morning Mixer - 10.23.13

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October 23, 1992 Twenty-one years ago, on October 23, a small independent drama, Reservoir Dogs , was released, launching not only the career of its writer/director Quentin Tarantino but also about a decade’s worth of irony-infused, hip-seeming and violent crime pictures. Looking back, however, and despite the many copycats that came since, Tarantino’s work is still appealing cinephilic and, despite its own many influences, uniquely voiced and original. The story of a group of beaten, bloody gangsters holed up in a warehouse with an undercover cop in their midst, Reservoir Dogs borrows from the favorite films of its director, who undoubtedly watched them many times during his stint as an L.A. video store clerk, but it does so with true affection. The film’s storyline owes something to Ringo Lam’s Hong Kong pic City on Fire , the hipster attitude and carefree mingling of crime drama with pop ephemera –– Tarantino’s gangsters debating Madonna, for ex