Film Strategy

My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbing up that ladder and getting to a point where you ar

My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbing up that ladder and getting to a poin

Source: http://www.sequential-one.com/blog/?p=144 My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbin

Lone Survivor | Peter Berg | 2013 | USA | Format: RED Code Raw (negative) 35mm (printed) | 121 min   US poster for Lone Survivor The action drama based on true events and the biography by Marcus Luttrell is gearing up to be a sleeper hit of critical acclaim and box-office strength.  Director Peter Berg secured the financing to make the film by agreeing to direct the big flop, Battleship . It was such a passion project of his that he went low-budget on the shoot, directing it for the DGA minimum, shooting with the RED camera in New Mexico (great production incentives there btw) and convincing his cast to lower their salaries too.  Despite the criticisms of jingoism and being crude propaganda or snuff porn akin to The Passion of the Christ , the movie is generally described by critics as expertly made and engaging. If Lone Survivor makes the $34 million it is projected to make during opening weekend plus gets nominated for and wins some Oscars then the Battleship flop will h

Sometimes it's easy to forget how far we've come because we still have so far to go. Although public outcries forced SNL to hire a black female as a featured player on the show after so many years, opportunities are plentiful for actors of color compared to what it was like in the past.  And the roles are waaaaaaay more dignified.  So as a reminder of how hard it was for black actors who had to accept roles that were beneath them, let's offer a special HBD tip of the hat to... Butterfly McQueen . "She was born on January 8, 1911 in Tampa, Florida, to a stevedore and domestic maid, Thelma McQueen would go on to make cinematic history as one of the few African-American character actors in classic Hollywood. In 1916, her father abandoned the family, leaving her mother and her to travel the East Coast in search of work. She eventually landed in Long Island where she completed her education and learned to dance. She made her stage debut as a part of the Butterfly

HBD John Singleton (director of Boyz in the Hood, Poetic Justice, etc.) and Anthony Minghella (director of The English Patient, Cold Mountain, etc.) [d.] and RIP Victor Fleming (director of The Wizard of Oz, Gone With the Wind, etc.) who died this day in 1949. WRITING: Is it possible to be a screenwriter and have a family ? (the bad news and the good news) PRODUCING:  What is your filmmaking game plan for 2014 ? FINANCING: What are investors considering when they fund films?   DIRECTING: Everyone knows that having famous actors in your movie will help it get financed and screened. So once you have them committed and casted, how do you direct famous actors in a microbudget film ? LIGHTING: Here's an homage to all the things grips and electrics have to do to light and shoot without the gear they actually need... shitty rigs . SHOOTING: How can you use camera angles to sell your scene ? SOUND: A tutorial on the importance of the pre-production process for your sou