Film Strategy

The Bullitt team More filmmakers should be doing this : Bullitt, a branded entertainment firm the Russos co-founded with Fast & Furious director Justin Lin and producer Todd Makurath... Bullitt works with brands and ad agencies to produce commercials and longform content. The production company is set up as a filmmakers' collective -- its roster includes directors Louis Leterrier and Troy Miller and cinematographer Phedon Papamichael -- and has a strategic partnership with RSA Films, founded by Ridley and Tony Scott. And by this, I mean, form collectives.  Whether in the service of working on advertisements. Or webseries. Or films. Or videogames.  The point is to find other talented creatives and business people who you can vibe with on a strategy and a vision together.  The terms are up to YOU to decide how it can work but having partnerships and collectives helps spread the risk of filmmaking, expands the network of people, experiences and equipment at your disposal

I know it's been a while since I have updated the site but I am still here. I had some personal issues to take care of, primarily, the loss of my mother, earlier this year.  But along with the loss, I am also happy to announce that I am expecting a daughter.  In addition, I am putting the finishing touches on the next step of my evolution as a filmmaker and entertainment lawyer. So stay tuned! Thank you for your support so far. I appreciate the feedback, even when it is not always the kindest. As long as it is useful to filmmakers and helps make the site better, I'll take it. While I plan on resuming the regular posts you are so accustomed to, it will be a little while longer before that happens... in the meantime, don't hesitate to use the production / filmmaker's toolkit for your productions by clicking here .

The Black Swan case and the Casting Society of America's recent announcement to cease internship job postings  reflects a new world when it comes to using interns in the entertainment industry.   The federal and state labor laws are pretty straightforward when it comes to interns,  “If the employer would have hired additional employees or required existing staff to work additional hours had the interns not performed the work, then the interns will be viewed as employees and entitled to compensation under the  Fair Labor Standards Act  (FLSA).”    Although it might seem unfair and a break from tradition to producers who remember the good ol' days(?!) when they were the interns themselves or who mean no harm because they are just trying to save as much money as possible for the benefit of the production, it really isn't. Using interns is not an excuse to save money or an opportunity to use free labor, it is an opportunity to teach and hone new talent while giving them

My apologies for the temporary disappearance of the Monday and Midweek Mixers, I have been busy working with clients and developing projects for 2014 that rendered me unable to blog.  Although I love searching for informative and fun stuff to add to the mixers, it's time-consuming so I can only squeeze them in whenever I can.  Still, as busy as I get, I will do my best to continue to do so. And now without further adieu... Today in film history let's remember... 1919  –  Charlie Chaplin ,  Mary Pickford ,  Douglas Fairbanks , and  D.W. Griffith  launch  United Artists . 1933  – the birth of  Jörn Donner , Finnish director and screenwriter 1943 – the birth of  Michael Mann , American director, screenwriter, and producer 1948 – the birth of  Christopher Guest , American actor and director 1948 – the birth of  Errol Morris , American director Taking a cue from the formation of United Artists is a good reminder of the good work that can result when talented filmmak

My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbing up that ladder and getting to a point where you ar

My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbing up that ladder and getting to a poin

Source: http://www.sequential-one.com/blog/?p=144 My favorite thing about starting a new year is filling out my planner with all the deadlines and screening dates for all the major contests, grant applications, markets and festivals I want to enter or visit.   Doing this hones whatever filmmaking or networking goals I have set for myself and also allows me to plan out my goals for the year to see in an instant what I can realistically aim for and when.  No matter how successful the filmmaker, he or she is caught up in a cycle of developing, writing, producing and selling projects.  Moreso, the hungry filmmaker climbing up that ladder of success.  For the filmmaker at the bottom, knowing the top script contests, film grants, festivals and markets mark one of the key differences between becoming successful or not.   Knowing the top places to target means you are not wasting time chasing fruitless ventures.  So, if you are reading this, it's because you ARE serious about climbin