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PRODUCTION JOURNAL: Monday Morning Mixer - 11.25.13 (YOUTUBE TUTORIAL EDITION)

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Today, I'd like to try something a little different... and that's use video to answer every question today.  So thank you YouTube!  I still wish I had created you, but alas... thank you for being you.  Today's theme will be NO- to MICRO- to LOW-BUDGET FILMMAKING.  P.S. Don't forget to visit the Filmmaker's Toolkit for all the forms, templates and information you need to make your films at every phase of production from Development to Distribution. WRITING: Why do most people fail at screenwriting ? PRODUCING: How do you pre-plan a no-budget movie ? FINANCING: Why do you need money to make money when it comes to making a film? DIRECTING: What are the top 5 tips for new directors or how you can become a better director? SHOOTING: How do you make a dolly track ? LIGHTING: Building a lighting kit, what are the professional film lights you should stock your kit with (at a minimum)? SOUND: How do you record high quality audio on a

PRODUCTION JOURNAL: Midweek Morning Mixer - 11.20.13 (CLOUZOT and ALTMAN EDITION)

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Today in November 20... 1907 – Henri-Georges Clouzot , the legendary French film director of films like Les Diaboliques , Wages of Fear , La Vérité and The Mystery of Picasso was born today. A stylish filmmaker known for making movies about betrayal deception and violent deaths whose negative persona and outlook on life was refelected in his work.  Nonetheless his skill made the master of suspense, Hitchcock nervous, as Senses of Cinema reveals and " although not as prolific, Clouzot’s is undoubtedly a comparable talent, and Wages Of Fear (1953) and Les Diaboliques (1955) regularly make it into lists of the greatest thrillers ever made." To get a glimpse of how Clouzot made films watch the documentary, Inferno . 2006 – Robert Altman , the legendary American film director of films like MASH , Nashville , McCabe and Mrs. Miller and Gosford Park   passed away today. A maverick filmmaker who thrived during the 1970s and preferred large casts in his movies had a

PRODUCTION JOURNAL: Monday Morning Mixer - 11.18.13 (MICKEY MOUSE & SYLVESTER STALLONE EDITION)

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Last week was an off-week for The Film Strategist so my apologies but had to focus on some important work. Now I'm back so stay tuned for some interesting upcoming posts including your Monday and Midweek mixers. On November 18, 1928 – The animated short Steamboat Willie was released.  This was the first fully synchronized sound cartoon , directed by Walt Disney and Ub Iwerks and featured the third appearances of cartoon characters Mickey Mouse and Minnie Mouse . This is also considered by the Disney corporation to be Mickey's birthday.  The short was such a success that it propelled Disney to international stardom. Now, what I want to know is when will Steamboat Willie and other works of that era finally fall in the public domain?  Because it should've happened a while ago already. But as Timothy B. Lee makes clear , "15 years ago [on October 25], President Clinton signed the Sonny Bono Copyright Term Extension Act, which retroactively extended copyright

PRODUCTION JOURNAL: Midweek MIDDAY Mixer - 11.6.13

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Oh boy... started the day later than I expected so the Midweek MORNING Mixer became the Midweek MIDDAY Mixer.  You probably didn't notice but still felt like I had to explain.  Now... on to our program...  November 6 marks the birth of 2 important directors and film visionaries who should be better known by mainstream audiences - Thomas Ince and Mike Nichols . Thomas Ince - November 6, 1886 Born into a stage family in Newport, Rhode Island, Thomas Harper Ince would grow up to be known as the “Father of the Western.” At the age of 15, Ince made his Broadway debut. But despite his theatrical blood, and performing in a number of plays and vaudeville shows, Ince could never make his acting career pay off. Instead, he turned to the new medium of film. By 1910, he was directing one-reelers. And by 1911, he’d convinced the New York Motion Picture Co. to send him to California. In Los Angeles, Ince’s ambition blossomed. He leased land close to Santa Monica, and hi

PRODUCTION JOURNAL: Monday Morning Mixer - 11.4.13

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November 4 Barack Obama became the first African-American president today in 2008. For many that was a new day of hope and, for others, the first step into hell. Well, whatever, I for one was happy.  But that's life, a heady mix of the good and the bad depending on your perspective.  And in the film & TV industry, today was both a happy one and a sad one too.   Happy for those born today, like... 1879 – Will Rogers , American actor (d. 1935) 1913 – Gig Young , American actor (d. 1978) 1918 – Art Carney , American actor (d. 2003) 1959 – Ken Kirzinger , Canadian actor and stuntman 1961 – Ralph Macchio , American actor 1961 – Jeff Probst , American television host and producer 1969 – Sean Combs , American rapper, producer, and actor 1969 – Matthew McConaughey , American actor And sad for those who died today like... 1982 – Jacques Tati , French actor and director (b. 1907) 2011 – Andy Rooney , American radio and television host (b. 1919) +++++++++++++++++++++

PRODUCTION JOURNAL: Midweek Morning Mixer - 10.30.13 (HALLOWEEN EDITION)

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[ Note: I couldn't get the Monday Morning Mixer out on time because of some issues with my mom's health that I had to attend to.  We're still working on it, and even though she's strong (God bless her), it's taking its toll. ]   Nevertheless, here's the midweek edition, Halloween style. To start with, October 30 marks the day for two morbidly tragic true Hollywood tales; the suicide of Max Linder and the murder of Ramon Navarro . October 30, 1925 The story of silent comedian Max Linder, who committed suicide this week in 1925, is a truly tragic one. Beginning his career in 1905, Frenchman Linder was the first great screen funnyman, writing, directing and starring in hundreds of shorts, in which he played the instantly recognizable Max, the dapper Frenchman with the cane, top hat and moustache. He was a huge influence on emerging stars like Charlie Chaplin, who called himself a “student” of Linder and was greatly influenced by his

PRODUCTION JOURNAL: Midweek Morning Mixer - 10.23.13

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October 23, 1992 Twenty-one years ago, on October 23, a small independent drama, Reservoir Dogs , was released, launching not only the career of its writer/director Quentin Tarantino but also about a decade’s worth of irony-infused, hip-seeming and violent crime pictures. Looking back, however, and despite the many copycats that came since, Tarantino’s work is still appealing cinephilic and, despite its own many influences, uniquely voiced and original. The story of a group of beaten, bloody gangsters holed up in a warehouse with an undercover cop in their midst, Reservoir Dogs borrows from the favorite films of its director, who undoubtedly watched them many times during his stint as an L.A. video store clerk, but it does so with true affection. The film’s storyline owes something to Ringo Lam’s Hong Kong pic City on Fire , the hipster attitude and carefree mingling of crime drama with pop ephemera –– Tarantino’s gangsters debating Madonna, for ex

PRODUCTION JOURNAL: Monday Morning Mixer - 10.21.13

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October 21, 1984 - François Truffaut dies One of the central figures of the French New Wave, François Truffaut, died October 21, 1984. Born in Paris in 1932, living an itinerant childhood with his single (later remarried) mother and several relatives, Truffaut became a child of the cinema early in life. He would steal away from school and sneak into matinees — childhood experiences that would form the basis for his first feature, The 400 Blows . He won the Cannes Best Director Award in 1959 for the picture, in which the 14-year-old Jean-Pierre Léaud played his alter ego, Antoine Doinel, enacted the tale of a neglected child poised between a life of petty crime and something greater. Before The 400 Blows , Truffaut had made several shorts but was mostly known as a tough-minded film critic at Cahiers du cinéma who often savaged conventional French cinema and endorsed instead the journeyman Hollywood directors celebrated by “auteur theory,” the critical school he helped found. Thr

PRODUCTION JOURNAL: Midweek Morning Mixer - 10.16.13

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Edison's Black Maria, the world's first film production studio October 16, 1894 On Wednesday 16 October 1894, rodeo star Lee Martin from Buffalo Bill ’s Wild West Show rode a wild bronco for the cameras of W. K. Dickson . Performed in a makeshift rodeo just outside Thomas Edison’s “Black Maria,” the first movie production studio located in West Orange, New Jersey, the early cowboy spectacle was part of a cavalcade of entertainments –– from cock fights and boxers to jugglers and magicians –– that Dickson filmed. Buffalo Bill, who just happed to be performing in Brooklyn at the time, brought down a range of stars from his traveling show to perform, including Martin, and, then two weeks later, Annie Oakley gave a sharp-shooting demonstration. ~~ Focus Features ++++++++++++++++++++++++++++++++++++++++++++ WRITING: What are 18 exercises you can do right now to combat writer's block and fix your script? PRODUCING: What are the top 10 successful ho

PRODUCTION JOURNAL: Monday Morning Mixer - 10.14.13

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1930 National Science Museum copy of 20 frames from the Roundhay Garden Scene  October 14 The world's oldest surviving film was shot today in 1888 ; the year Jack the Ripper went on a killing spree, Vincent Van Gogh cut off his ear, Susan B. Anthony organized a Congress for Women's Rights and director F.W. Murnau, playwright Eugene O'Neill and poet T.S. Eliot were born. And on this day 125 years ago, Louis Le Prince filmed the first motion picture: Roundhay Garden Scene .  It was recorded at 12 frames per second and runs for 2.11 seconds. Was it meant to be a scene for a documentary, a fictional film or reality TV?  What do you think? If you're into movie firsts and vintage film like this then check out this YouTube channel: Change Before Going Productions. ++++++++++++++++++++++++++++++++++++++++++++ And now with a little history under our belt, let us proceed with the questions that will make us better filmmakers...  (FYI: There is a heavy New York