Yesterday, March 23, 2015, Akira Kurosawa would've turned105. Since it's never too late to learn from a master, here is famed novelist Gabriel Garcia Marquez interviewing Akira Kurosawa about the art and craft of cinema, filmmaking and screenwriting and most importantly, humanity. On June 23, 1991, a uthor Gabriel Garcia Marquez spoke with 81-year-old Japanese director Akira Kurosawa in Tokyo last October when the film maker was shooting his latest movie, "Rhapsody in August." The film, which is scheduled for release in this country in December, was recently shown at the Cannes Film Festival where, Marquez reports, it received public and critical acclaim but annoyed some U.S. journalists "who considered it hostile to their country." Marquez, a former film critic in Bogata, Colombia as well as the author of "A Hundred Years of Solitude," spoke with Kurosawa on a diverse range of topics for more than six hours. Gabriel García Márquez: I do
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Although I wrote this originally for El Blog de HOLA with actors in mind, loan-out companies are used by artists and entertainers of all stripes; directors, musicians, writers, producers, fashion designers, etc. Therefore, the following below is beneficial to you too if you have reached a certain level of success in the arts and entertainment industries. +++++++ “I’ve heard that a lot of Hollywood actors have a loan-out company for their acting services. What is a loan-out company and should I form one?” A loan-out company is a business entity formed by entertainers like actors, musicians, directors, producers, etc. (“owner”) to provide their services under the guise of “employee” to a third party like a studio, production company, television network, record label, etc. Although usually a C corporation (one that is taxed separately from its owners), the loan-out can be an LLC (limited liability company)or an S corporation. It is called a loan-out because the company “le
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I have recently started a series for HOLA (the Hispanic Organization of Latino Actors) on El Blog de HOLA based on business and legal questions actors have. “If I choose to work in a nonunion film (one that is not SAG-AFTRA), what key contract terms or clauses should I look out for to protect myself?” Here’s something that any working actor can tell you: there are many more nonunion roles than there are SAG-AFTRA roles. So, actors, in a quest to build their credits, gain experience, make themselves visible and hone their craft will take on a nonunion role if they find it in their interest to do so. Whether they should or not is another story but assuming they do there are some things an actor should look out for to protect themselves from unscrupulous or sleazy producers. • Put it in writing. While it is true that oral agreements are enforceable, if it’s not on paper, your job to prove you were promised something for your work in a production becomes that much harder.