Film Strategy

The 3-Act Structure rules Hollywood even though some think the 3-Act structure actually kills scripts . And as the cartoon demonstrates below in amusing and sarcastic fashion, the 3-Act structure is made up of elements that engage and entertain us while also being repetitive and derivative.  So here's a challenge to all filmmakers, from indie newbies to hollywood bigshots, do you dare tell stories outside of the 3-Act structure?  Ok, you say, I'm down but what else is there outside of the 3-Act structure? Well, my friend, that's where your creativity as a writer, director, producer and editor comes in. Plus the cojones to dare and even fail or get audience heads scratching. But if you want some suggestions for ideas well here are a few places to look: One way to start is by considering other options for narrative structures beyond just "linear narrative."  Another suggestion for inspiration is to look to the East for non-Western dramatic structure

With news that Neal Baer (showrunner of Under the Dome, Law & Order: SVU, ER) just signed a POD deal with 20th Century Fox , I thought it was worth looking at the holy grail for television writers/producers: the POD deal aka the production overall deal.  Now we don't often talk about television productions but with the quality of television productions meeting and oftentimes exceeding the quality of films, it's time to reconsider. I'm a big believer in aiming high and learning from successful people so the article below will give you something to aim for (POD deals) and give you examples of people with POD deals to learn from. A Look at Some of TV’s Most Successful PODs  Originally published by Film Escape April 5, 2015 and written by Charlie Sierra It’s every TV writer/producer’s dream to get a POD deal at a studio. To be paid handsomely and respected for the work that you create is something that everyone strives for.  A POD (production overall deal is ba