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PRODUCTION TIPS: Get Hollywood To Notice By Becoming A YouTube Star

So there is a benefit to becoming famous on Youtube. Feature-length films starring YouTube stars are getting Hollywood's attention. In their quest to de-risk a film and make a film with a built-in audience and marketing potential at little cost, they have decided to invest in films starring people popular in the digital world. According to THR : There were about a dozen such "film" projects in 2015 alone, and that number could double this year as major entertainment players look to cash in. These digital-focused films follow a similar, and more inexpensive, formula on their way from concept to completed project. According to numerous industry sources, studios will pay between $500,000 and $1.5 million to produce the movie, and the marketing spend is a fraction of the minimum $20 million that a studio normally would shell out.  Instead of going to theaters, studios typically distribute the films through iTunes and Vimeo, where viewers can download them for about $1

PRODUCTION JOURNAL: How NOT to be a Film Director

Overnight | Tony Montana & Mark Brian Smith | 2003 | USA | Format: 16mm, Super 8, Video | 82 min Overnight  should be required viewing for every film student, not because it is the pinnacle of documentary filmmaking but because it is an eye-opening lesson in the dangers of hubris. In addition, it's a glimpse into the business, how political it can be and why you should read the contracts before signing (or have your lawyer read it for you). It's not just a lil luck and a lot of talent that you need to make it, you need a work ethic, some charm and a flexible strategy. The filmmaker is an artist and some vanity is to be expected when you are dealing with expressing a powerful and unique vision but film is also a collaborative art that requires the OTHER people to make that powerful and unique vision a reality. Too many directors forget that as they go into diva mode a la Troy Duffy. You can be eccentric but don't be an asshole. Besides as the history* of this docum

PRODUCTION TIPS: Elia Kazan on Writing for the Stage and Writing for the Screen

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Before starting to direct a new play or movie, Elia Kazan would purchase a little school notebook and, as rehearsals and early performances proceeded, fill it with his thoughts. Taken together, these notebooks constitute a unique (and as far as I know unparalleled) record of an uncommonly passionate and acute directorial mind at work and, in edited form, they are the fascinating and unsparing core of "Kazan on Directing." These notes are very writerly. They may sometimes have been scribbled in haste, after a hard day on set or stage, but they are not fragmentary. They are often written in the second person, with Kazan addressing himself as "you." His main idea, restated in several ways, is that "Directing finally consists of turning Psychology into Behavior" and, in a sense, that's what happens in this book. Kazan consults his psyche and turns what he finds into insight by writing down his thoughts. His effort was always to find what he like

CASE STUDY: Top 13 Stories, Trends and Legal Decisions in Film/TV for 2013

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​ on loan from Short of the Week - see their 2013 list of shorts 2013 winds its way to a close and we are wiser, wealthier or both.  Hopefully.  Wealth is never a guarantee for the veteran filmmaker let alone the first-timer. And, as a result, the wisdom gained can be bittersweet.  Nevertheless, as a weird mix of artist and entrepreneur, the wealth and wisdom we attain can be measured and classified in a variety of blessed ways.  Wealth and wisdom in practical knowledge, local connections and production experience are valuable indeed. We live and work in interesting times and the tech we use and watch, the society we live and practice in and the tactics and strategies we employ are ever changing taking our beloved art form to strange places. And until the end of time or until film as an art form is supplanted, each year brings something new that mattered in film and TV; whether its a modification of something old for new times or something simply brand new and unexpected.

PRODUCTION JOURNAL: Midweek Morning Mixer - 12.18.13

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December 18 marks the births of legendary directors Jules Dassin (1911) and Steven Spielberg (1946) and the deaths of classic director Robert Bresson (1999) and influential animator Joseph Barbera (2006).  These 4 figures offer so much to choose from for inspiration and knowledge; they are an expert craftsman of filmnoir, a master storyteller of fantasy and wonder, a French auteur of transcendentalist and ascetic filmmaking and an influential animator who captured the zeitgeist of the 60s, 70s and 80s with his wild and funny cartoons. Jules Dassin Notable works: The Naked City, Night and the City, Rififi   Steven Spielberg Notable works: E.T., Indiana Jones, Jaws, Munich, Saving Private Ryan, and so much more. Robert Bresson Notable works: Pickpocket, A Man Escaped, Au Hasard Balthazar, Diary of a Country Priest Constructive Editing in Robert Bresson's Pickpocket from David Bordwell on Vimeo . Joseph Barbera Notable works: Tom and Jerry, Huckleberry Hound,

PRODUCTION JOURNAL: Monday Morning Mixer - 11.25.13 (YOUTUBE TUTORIAL EDITION)

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Today, I'd like to try something a little different... and that's use video to answer every question today.  So thank you YouTube!  I still wish I had created you, but alas... thank you for being you.  Today's theme will be NO- to MICRO- to LOW-BUDGET FILMMAKING.  P.S. Don't forget to visit the Filmmaker's Toolkit for all the forms, templates and information you need to make your films at every phase of production from Development to Distribution. WRITING: Why do most people fail at screenwriting ? PRODUCING: How do you pre-plan a no-budget movie ? FINANCING: Why do you need money to make money when it comes to making a film? DIRECTING: What are the top 5 tips for new directors or how you can become a better director? SHOOTING: How do you make a dolly track ? LIGHTING: Building a lighting kit, what are the professional film lights you should stock your kit with (at a minimum)? SOUND: How do you record high quality audio on a