PRODUCTION JOURNAL: How NOT to be a Film Director
Overnight | Tony Montana & Mark Brian Smith | 2003 | USA | Format: 16mm, Super 8, Video | 82 min
Overnight should be required viewing for every film student, not because it is the pinnacle of documentary filmmaking but because it is an eye-opening lesson in the dangers of hubris. In addition, it's a glimpse into the business, how political it can be and why you should read the contracts before signing (or have your lawyer read it for you). It's not just a lil luck and a lot of talent that you need to make it, you need a work ethic, some charm and a flexible strategy. The filmmaker is an artist and some vanity is to be expected when you are dealing with expressing a powerful and unique vision but film is also a collaborative art that requires the OTHER people to make that powerful and unique vision a reality. Too many directors forget that as they go into diva mode a la Troy Duffy. You can be eccentric but don't be an asshole.
Besides as the history* of this documentary attests, no one likes working with assholes.
*The documentary directors were originally Troy Duffy's partners and co-producers until they got pushed out by Troy Duffy.
Overnight should be required viewing for every film student, not because it is the pinnacle of documentary filmmaking but because it is an eye-opening lesson in the dangers of hubris. In addition, it's a glimpse into the business, how political it can be and why you should read the contracts before signing (or have your lawyer read it for you). It's not just a lil luck and a lot of talent that you need to make it, you need a work ethic, some charm and a flexible strategy. The filmmaker is an artist and some vanity is to be expected when you are dealing with expressing a powerful and unique vision but film is also a collaborative art that requires the OTHER people to make that powerful and unique vision a reality. Too many directors forget that as they go into diva mode a la Troy Duffy. You can be eccentric but don't be an asshole.
Besides as the history* of this documentary attests, no one likes working with assholes.
*The documentary directors were originally Troy Duffy's partners and co-producers until they got pushed out by Troy Duffy.
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Behind the visuals, a vision.