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Showing posts with the label screenwriting

SCRIPT TO SCREEN: FILMMAKERS, DARE SOMETHING DIFFERENT or "A 3-Act Structure Tale About 3-Act Structure Elements Called "3-Act Structure""

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The 3-Act Structure rules Hollywood even though some think the 3-Act structure actually kills scripts . And as the cartoon demonstrates below in amusing and sarcastic fashion, the 3-Act structure is made up of elements that engage and entertain us while also being repetitive and derivative.  So here's a challenge to all filmmakers, from indie newbies to hollywood bigshots, do you dare tell stories outside of the 3-Act structure?  Ok, you say, I'm down but what else is there outside of the 3-Act structure? Well, my friend, that's where your creativity as a writer, director, producer and editor comes in. Plus the cojones to dare and even fail or get audience heads scratching. But if you want some suggestions for ideas well here are a few places to look: One way to start is by considering other options for narrative structures beyond just "linear narrative."  Another suggestion for inspiration is to look to the East for non-Western dramatic structure

PRODUCTION TIPS: How to Copyright a Script and Other Legal Tips for Screenwriters (or Filmmakers)

Here's a guest post I did for Script Reader Pro entitled " How to Copyright a Script and Other Legal Tips for Screenwriters ." Of course, this advice also pertains to filmmakers, in general, since so many of you wear multiple hats in your productions and are aspiring Tarantino-types.  I know I am biased but it's a really good article. Check it out. ~~Danny Jiminian, Esq  I am an entertainment lawyer at www.djimlaw.com . For help in getting permission from musicians and other copyright owners to use their stuff without getting sued, as well as, clearing the script, negotiating life story rights, researching public domain works, registering your script with the US Copyright Office, drafting collaborator’s agreements and dealing with copyright infringement/entertainment litigation matters, you can contact me at danny@djimlaw.com

PRODUCTION JOURNAL: Gabriel Garcia Marquez interviews Akira Kurosawa

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Yesterday, March 23, 2015, Akira Kurosawa would've turned105. Since it's never too late to learn from a master, here is famed novelist Gabriel Garcia Marquez interviewing Akira Kurosawa about the art and craft of cinema, filmmaking and screenwriting and most importantly, humanity. On June 23, 1991, a uthor Gabriel Garcia Marquez spoke with 81-year-old Japanese director Akira Kurosawa in Tokyo last October when the film maker was shooting his latest movie, "Rhapsody in August." The film, which is scheduled for release in this country in December, was recently shown at the Cannes Film Festival where, Marquez reports, it received public and critical acclaim but annoyed some U.S. journalists "who considered it hostile to their country." Marquez, a former film critic in Bogata, Colombia as well as the author of "A Hundred Years of Solitude," spoke with Kurosawa on a diverse range of topics for more than six hours. Gabriel García Márquez: I do

CASE STUDY: 8 Take-aways from the WGAW 2015 TV Report on Writers of Diversity

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Some thoughts on " The State of Diversity in Writing for Television " Finally got a chance to read the WGAW 2015 TV Staffing Brief  and the findings are somewhat depressing: " Not only were minorities still underrepresented by factors of nearly 3 to 1 among all staff writers and nearly 7 to 1 among executive producers during the 2013-14 season, but women television writers also continued to tread water, at best, relative to their male counterparts. That is, women were underrepresented by factors of nearly 2 to 1 among all staff writers and more than 3 to 1 among critical executive producer positions. Meanwhile, older writers who were represented on nearly every show staff during the 2013-14 season saw their fortunes 14 drop precipitously beyond age 50, when they were absent from nearly a third of all shows. Findings like these highlight a glaring disconnect between the increasing diversity of audiences and business-as-usual practices in the Hollywood industry. "

SCRIPT TO SCREEN: The Cabinet of Dr. Caligari (1920)

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The Cabinet of Dr. Caligari |  Robert Wiene | 1920 | Germany | Format: 35mm, Black and White, Silent  | 51-78 min (varies; different versions) The Cabinet of Dr. Caligari opened today almost 100 years ago in 1920. Gance loved it, Eisenstein hated it. Today it's considered a horror classic and a great experiment in Expressionism. Even though we live in the digital age, it is worth going back in time to study the story of how this movie was made in an era when film was still in its infancy. We stand to benefit from the making of The Cabinet of Dr. Calgari and learn things, such as: How the writers collaborated to combine their experiences and imagination in crafting the script. How the writers used their connections to their advantage even though they had never worked for a studio before. How their passion and unique "pitch" convinced the executive to buy the writers's script. Why it's important to know what rights you are signing away. How collaborati