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SCRIPT TO SCREEN: Mad Max: Fury Road

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Mad Max: Fury Road |  George Miller | 2015 | Australia, USA | Format: 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema (also 3-D version)  | 120 min Mad Max is essentially one long chase scene. But what a complicated and thrilling chase scene it is. It surprises me none to find out that George Miller, the director, created a storyboard comic book to map out the shooting of the film from logistics to aesthetics. Storyboards and concept art are important tools for filmmakers but even moreso for filmmakers making action movies. Below is a compendium of links to articles on the making of Mad Max: Fury Road. Read, watch, enjoy but don't forget to take notes. The making of Mad Max: Fury Road (according to Wikipedia ) Development Plans for a fourth film in the  Mad Max  series hit financial difficulties and the project spent several years in " development hell ". [17]  The idea for a fourth installment occurred to Miller in August 1998 when he was walking in an

PRODUCTION JOURNAL: How NOT to be a Film Director

Overnight | Tony Montana & Mark Brian Smith | 2003 | USA | Format: 16mm, Super 8, Video | 82 min Overnight  should be required viewing for every film student, not because it is the pinnacle of documentary filmmaking but because it is an eye-opening lesson in the dangers of hubris. In addition, it's a glimpse into the business, how political it can be and why you should read the contracts before signing (or have your lawyer read it for you). It's not just a lil luck and a lot of talent that you need to make it, you need a work ethic, some charm and a flexible strategy. The filmmaker is an artist and some vanity is to be expected when you are dealing with expressing a powerful and unique vision but film is also a collaborative art that requires the OTHER people to make that powerful and unique vision a reality. Too many directors forget that as they go into diva mode a la Troy Duffy. You can be eccentric but don't be an asshole. Besides as the history* of this docum

PRODUCTION TIPS: 10 Film Questions That Will Make You a Better Director

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How many times have you asked someone about a movie and they just said, "It was great!" or "It sucked!"? More times than you can count, I'm sure, in fact we all do it, even the person who writes a dissertation on the brutality in millenial horror films and French art cinema . There is nothing wrong with that per se since we don't always have the time or the interest to analyze a film.  BUT as budding filmmakers and lovers of cinema, it is worth the time to dig deep into a film that moves you to love it or hate it. We have all heard the stories of film directors who never went to film school but just watched tons of movies and learned everything they needed to know about directing and storytelling from that. Legendary screenwriting teacher, Syd Field, always recommends watching movies as part of his way to teach screenwriting. Advising filmmakers to watch movies to become better directors is nothing groundbreaking but it bears repeating. Howev

SCRIPT TO SCREEN: Boyhood, Snowpiercer and The Grand Budapest Hotel

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Snowpiercer, The Grand Budapest Hotel and Boyhood are on top of many critics' lists of best films for 2014 .  So I was curious to see what I could learn about how they made them.  I chose these three because they represented the best in their genre so far this year. The Action Film - Snowpiercer Snowpiercer - Trailer Making of (Part 1) - Camera, Lighting and Grip Equipment supplied by ARRI Rental from ARRI Rental on Vimeo . Snowpiercer - Trailer Making of (Part 2) - Camera, Lighting and Grip Equipment supplied by ARRI Rental from ARRI Rental on Vimeo . Highlights from the Twitch interview with director, Bong Joon-ho Twitch - Behind the camera you pulled together so many different talents. You brought in a lot of different people you hadn't worked with before...are you just making it difficult for yourself on purpose?  Bong Joon-ho - Fortunately I had quite a long pre-production period, enough time to discuss and prepare. My cinematographer was the same