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CASE STUDIES: The Best 14 End-of-Year Film Industry Lists of 2014

Among the many traditions that befall us throughout the month of December, the end-of-year-lists can not be avoided. Whether we read them or write them, lists are everywhere. Film magazines and blogs partake in that tradition by putting out their best/worst list of films for the year. I have nothing against them, personally, but I wanted to go deeper and probe the news and trends in the film industry for my own list which would be of strategic use to filmmakers and producers. However, my trip to Cuba for the Festival Internacional del Nuevo Cine Latinoamericano and the usual holiday fanfare put to sleep all that. Still, my Catholic guilt insists that I share something with you. Since I did read some really good lists that go beyond the fun but banal topic of what film was the best/worst in 2014, I have compiled them here.  The 14 lists below can either help you understand the industry better, give you a glimpse of where the industry is going, or deepen your love and knowledge for th

PRODUCTION JOURNAL: Monday Morning Mixer - 9.9.13

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Captain's Log. Star Date: 9.9.13 September 9, 1980 - The Third Generation opens "Rainer Werner Fassbinder’s terrorist comedy The Third Generation exploded when it opened in New York City in September 1980. In the New York Times , Vincent Canby raved, “There no longer can be any doubt about it: Rainer Werner Fassbinder is the most dazzling, talented, provocative, original, puzzling, prolific and exhilarating film maker of his generation. Anywhere.” Following on the heels of his international success The Marriage of Maria Braun , The Third Generation mock-heroically takes on the problem of domestic terrorism in Germany. Fassbinder explained the title’s relation to contemporary Germany politics in the following way: “The first generation was that of '68. Idealists, who wanted to change the world and imagined they could do that with words and demonstrations. The second, the Baader-Meinhof Group, went from legality to armed struggle and total ill

PRODUCTION JOURNAL: Midweek Morning Mixer - 9.4.13

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Captain's Log. Star Date: 9.4.13 Sep. 4, 1934 - Jan Švankmajer born In Jan Švankmajer’s film 2000 Little Otik , the titular character is a stump of wood who comes to life when treated like a baby; Švankmajer himself, though, arrived into the world in the traditional manner on September 4, 1934, in the Czechoslovakian capital, Prague. In the history of animation, few people have been more influential than Švankmajer, as his strikingly original perspective and painstaking eye for detail have led the way for figures such as Terry Gilliam, Tim Burton and the Quay Brothers. While mainstream animation tends to focus on happy, colorful antics, Švankmajer has presented a view of the world that is more sinister and macabre, filtered through a tradition of dark Eastern European fairy tales. Most famous for his stop motion work (which often has a slight jerkiness that adds to the viewers unease), Švankmajer came to prominence first in the 1960s with a series of sh