PRODUCTION JOURNAL: How Tarantino Got Reservoir Dogs Funded and Why It's Worth Knowing People Who Know Celebrities

The gift of overwhelming information to read on the internet burdens us to actually read it. One article that I came across that I found personally engaging was Peter Darling's Best Way to Run a Business. I think it is aimed at solo attorneys and budding entrepreneurs and small businesspeople. I think it is also useful for filmmakers. (To read the entire short article, click here.) 

The part that stood out for me and which I find relevant for filmmakers is this one: 
There are people all around you excelling at what you’re trying to learn. Start paying close attention to how they do it...
Every day I am surprised when I ask clients and filmmakers if they know how "X director" or "Y producer" made "Z film" and the answer is "no." I am surprised because anyone who has been in the trenches long enough will tell you how hard it is to make a film.
The difficulty comes in 7 stages, each getting progressively harder:

  • It's hard to come up with an idea worth writing. 
  • It's hard to write a script worth raising funds for.
  • It's hard to raise funds for a film worth directing.
  • It's hard to direct a film worth editing.
  • It's hard to edit a film worth distributing.
  • It's hard to distribute a film worth marketing.
  • And it's hard to market a film against all other competing forms of art and entertainment. PERIOD.
So acknowledging the difficulties, doesn't it make sense to study how successful directors, writers nd producers made it?  Hence, the quote above. The people excelling at what you are trying to do are the Scorceses and Tarantinos and Iñárritus and Duvernays of the world. So why not study their methods*, and, at a minimum, gain some tips on how they produced their work.  With that concept in mind, I'd like to regularly update this section with clips that answer the question how did he or she write it, produce it or fund it.

* By "methods," I mean the way they developed, produced and funded their projects, I am not saying copy their directing methodology or their filmmaking style. 

Today's question: How did Quentin Tarantino get the money to make Reservoir Dogs.

From Wikipedia:
Quentin Tarantino had been working at Video Archives, a video store in Manhattan Beach, California, and originally planned to shoot the film with his friends on a budget of $30,000 in a 16 mm black-and-white format, with producer Lawrence Bender playing a police officer chasing Mr. Pink.[4] Bender gave the script to his acting teacher, whose wife gave the script to Harvey Keitel.[5] Keitel liked it enough to sign as a co-producer so Tarantino and Bender would have an easier job finding funding; with his assistance, they raised $1.5 million.[1] Keitel also paid for Tarantino and Bender to host casting sessions in New York, where the duo found Steve Buscemi, Michael Madsen, and Tim Roth.[6] 
Three key takeaways from this excerpt:
  1. Keep honing your craft (in writing, acting or filmmaking) by taking courses.
  2. Develop good relationships with people who know people that can get your film funded.
  3. Most importantly, write a script with juicy lines and stories that gets people who know people to show your script to them.

PRODUCTION TIPS: Your February 2017 Calendar for Film Festivals, Screenplay Contests, Fellowships, Labs and Awards

The good people at Script Reader Pro have just made your life easier. 

Why is that you say? 

Because they've made your filmmaking life easier to manage this year with their calendar of all the major upcoming screenwriting contests (orange), awards (blue), festivals (green), fellowships and labs (yellow) in 2017.

Like Yogi Berra says, “If you don't know where you are going, you'll end up someplace else.” 

Wednesday, February 1
 International Film Festival Rotterdam (IFFR)
Thursday, February 2
 International Film Festival Rotterdam (IFFR)
Friday, February 3
 International Film Festival Rotterdam (IFFR)
Saturday, February 4
 International Film Festival Rotterdam (IFFR)
Sunday, February 5
 International Film Festival Rotterdam (IFFR)
Thursday, February 9
 Berlinale Film Festival
Friday, February 10
 Berlinale Film Festival
Saturday, February 11
 Berlinale Film Festival
 Berlinale Talents Annual Summit
 USC Libraries Scripter Award
Sunday, February 12
 Berlinale Film Festival
 Berlinale Talents Annual Summit
 British Academy Film Awards
Monday, February 13
 Berlinale Film Festival
 Berlinale Talents Annual Summit
 Toronto Int Film Fest Talent Lab
Tuesday, February 14
 Berlinale Film Festival
 Berlinale Talents Annual Summit
Wednesday, February 15
 Berlinale Film Festival
 Berlinale Talents Annual Summit
 Creative World Awards Contest Late Deadline
Thursday, February 16
 Berlinale Film Festival
 Berlinale Talents Annual Summit
Friday, February 17
 Berlinale Film Festival
Saturday, February 18
 Berlinale Film Festival
Sunday, February 19
 Berlinale Film Festival
 Writers Guild Awards
Wednesday, February 22
 Final Draft Big Break - Early Bird Open Date
Friday, February 24
 Cesar Ceremony
Saturday, February 25
 CineStory Foundation Late Deadline
Sunday, February 26
 The Oscars
 Tracking B Screenplay Contest Late Deadline
Monday, February 27
 Film Independent Screenwriting Lab Deadline
Tuesday, February 28
 Nickelodeon TV Writing Program Deadline

The COVID-19 “Get Back to Filmmaking” Checklist

The COVID-19 “Get Back to Filmmaking” Checklist A 40-point checklist from development to post-production   by Danny Jiminian