Film Strategy

With news that Neal Baer (showrunner of Under the Dome, Law & Order: SVU, ER) just signed a POD deal with 20th Century Fox , I thought it was worth looking at the holy grail for television writers/producers: the POD deal aka the production overall deal.  Now we don't often talk about television productions but with the quality of television productions meeting and oftentimes exceeding the quality of films, it's time to reconsider. I'm a big believer in aiming high and learning from successful people so the article below will give you something to aim for (POD deals) and give you examples of people with POD deals to learn from. A Look at Some of TV’s Most Successful PODs  Originally published by Film Escape April 5, 2015 and written by Charlie Sierra It’s every TV writer/producer’s dream to get a POD deal at a studio. To be paid handsomely and respected for the work that you create is something that everyone strives for.  A POD (production ov...

Even a famous actress like Shirley MacLaine finds making indie films difficult.  I discovered this in an article she recently wrote about her experiences making the film, Wild Oats . Despite the difficulties, why making movies is a useful experience: Making a movie is the most useful experience I’ve found for getting to know more about myself. But you don’t have to be an actor or work in show business to have that experience. We’re all creating our lives every day. We are the actors and writers and directors and producers and financiers of our lives. So I’d say that means that our life itself is an art, one we’ve chosen to take part in. It’s like a movie we’ve chosen to make. Both need financing. Did anyone assure us when we were born that the money would be there?No. Did anyone assure me when I began Wild Oats that the money would be there? No. So why did I do it? Ambition? Adventure? Challenge? Fame? Because they asked me to? I’m not sure the “why” even matters now. How ...

If you want to reach the Chinese market, one way to do it is through the Netherlands. Here's why .

Mad Max: Fury Road |  George Miller | 2015 | Australia, USA | Format: 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema (also 3-D version)  | 120 min Mad Max is essentially one long chase scene. But what a complicated and thrilling chase scene it is. It surprises me none to find out that George Miller, the director, created a storyboard comic book to map out the shooting of the film from logistics to aesthetics. Storyboards and concept art are important tools for filmmakers but even moreso for filmmakers making action movies. Below is a compendium of links to articles on the making of Mad Max: Fury Road. Read, watch, enjoy but don't forget to take notes. The making of Mad Max: Fury Road (according to Wikipedia ) Development Plans for a fourth film in the  Mad Max  series hit financial difficulties and the project spent several years in " development hell ". [17]  The idea for a fourth installment occurred to Miller in August 1998 when he was...