Some thoughts on " The State of Diversity in Writing for Television " Finally got a chance to read the WGAW 2015 TV Staffing Brief and the findings are somewhat depressing: " Not only were minorities still underrepresented by factors of nearly 3 to 1 among all staff writers and nearly 7 to 1 among executive producers during the 2013-14 season, but women television writers also continued to tread water, at best, relative to their male counterparts. That is, women were underrepresented by factors of nearly 2 to 1 among all staff writers and more than 3 to 1 among critical executive producer positions. Meanwhile, older writers who were represented on nearly every show staff during the 2013-14 season saw their fortunes 14 drop precipitously beyond age 50, when they were absent from nearly a third of all shows. Findings like these highlight a glaring disconnect between the increasing diversity of audiences and business-as-usual practices in the Hollywood industry. "
Showing posts with the label television
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I normally reach out to filmmakers and producers when I write a case study but it is a long and involved process of outreach and interviewing and then creating the case study for Film Strategy. Lately, I have been busy with my legal work but I am also developing a documentary based on archival footage and photography and so I have been doing my research on all fronts. Lo and behold, I ran across this case study on a PBS documentary about Fidel Castro based on archival footage, The Fidel Castro Tapes , at Peter Hamilton's great website: www.documentarytelevision.com . Because I found it so useful, I felt I had to share it. We wondered about the challenges of creating an archive-based film about an 88-year old Spanish-speaking personality who can be dangerously controversial, and who is the founding father of a government whose people are still blockaded by the US. Castro ‘ s producer Tom Jennings earned a Peabody with the Smithsonian Channel for MLK: The Assassination
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Captain's Log. Stardate: 8.21.13 August 21 was a good day for rebels and innovators. Today in 1932, Melvin Van Peebles, director of the politically and artistically radical film, Sweet Sweetback’s Baadasssss Song (1971), was born. Also, today in 1939, Orson Welles signed a 63-page contract with RKO Pictures that allowed him to write, direct, produce and act in two movies for the studio with an unprecedented offer: complete creative control . This led to the production of RKO 281 better known as the innovative and artistically daring film, Citizen Kane (1941). Now that your artistic appetite has been whetted, consider this: What are some sci-fi storytelling script tips ? What lessons can networks (and aspiring producers pitching episodic concepts) learn from Breaking Bad ? What lessons can aspiring producers learn from David Simon's pitch for The Wire ? How do you light dark skin ? Do you want an introduction to After Effects? Then here it is. What are th